The Good, The Bad, The Creepy

Minnesota State Fair

Thursday nights are the time to sit and tune into The Grid Live … +Scott Kelby and associates’ weekly live blog show about all things photography. Scott welcomed his wife +Kalebra Kelby and +Matt Kloskowski as they prepared to discuss Street Photography. Scott tells of an episode he had while in Paris filming “A Day with Jay Maisel in Paris” when a woman took offense to being photographed and created quite a stir in response.

The discussion then turned to photographing women on the street and what their perceptions of getting photographed were. In short, Kalebra and two other female guests spoke to how creepy it was! One of the women voiced a very strong instinct to protect her children from being photographed and would be extremely upset with a photographer that did so.

I don’t deny them their feelings and instincts. Their expressions are completely primal and uncontrollable. Like all humans they require security and an interloper such as some creepy photographer can present an endless array of discomforts to a creative and suspicious mind. In contradiction, however, they admitted that the more credibility the photographer had (even if it’s only on the surface: id badge, crew, handsome, available?) the more willing they were to allow the photograph and turn their concerns to how they felt about themselves at that moment: self-consciousness.

It’s an interesting contradiction of themes that send strange and conflicting messages to the sincere student of Street Photography.

I look at this issue two ways ... first and foremost, I'm a photographer in a public place and have the right to photograph anything there no matter how creepy somebody thinks the act of photographing people on the street may be. I would like to point out that I am not creepy nor do I harbor creepy intent. Whether you are particularly photogenic or not I allow you to think I'm creepy that's your right. But the bottom line is you, as a street subject, lost your right to privacy when you entered the public space.*

Secondly, the sincere and serious student of the craft needs to remember that no matter the activity you aspire to your success is based on the quality of your relationships. Including the fleeting relationships of street photography. Sadly, there are photographers who are creepy, whether they have a camera in their possession or not, they're creepy. We all know people like that. Every photographer should understand what creepy is and avoid it. I just ask photographers to do one thing and one thing only:

When you're exercising your public rights to execute your craft, please remember that you represent all of us. All other photographers. Take the work seriously. Take the relationships you create seriously and don't leave a cloud of creep behind.


* One "gotcha" you have to know about is a public space may be privately owned or operated. Example: an outdoor shopping complex. And security may exercise the right of their patron's privacy. That happened to me once ... I still think this may be a stretch.

Panning the Marathon

I was at the Twin Cities Marathon today with a bunch of family ... in fact, we tailed my brother-in-law along the whole course. We met him at the first five-mile marker and every subsequent five miles after that. It's a fun little hopping game with a bunch of family in the van squeezing through the narrow double-parked streets of south Minneapolis. It was a beautiful day ... hot, and we had a great time.

I spent the day with my D70s and the 18-70mm kit lens. I really like this lens. I think it's almost an insult to call it a kit lens. This lens is very sharp, focuses fast, is light weight and looks cool, too.

Besides the obligatory pictures of the pit crew goofing around, I had the opportunity to try some panning with my camera and show some motion with the subject. I was shooting in aperture priority so I kept the f/stop high around f/22. This meant that the shutter was hovering around 1/15th to 1/30th of a second using ISO 200. I kept the focal length of the zoom at about 50mm. That gave me nice distance between me and the subject as I panned perpendicular to the street.

Here are some of the results ...

In the next couple of months I'd like to touch base on Adobe Photoshop Lightroom. I've been using it for almost a year now and have some things to say about how it has helped me. I'd like to find out what is hootnik on readers are using. Let me know. I'm not interested in starting big arguments just gather information and see what people think. Thanks all.

i shoot nikon

Whatever happened to Bobby Sherman?

I was in Seattle earlier this week attending a web design conference with about 400 other geeks from all over the place. Web Design World was held at the Marriot on the waterfront.

I had never been to Seattle. I had never been to a web design conference. Both were extraordinary. The only thing awry was the weather. It didn't rain! Not one drop. In fact, I had checked the weather forecast prior to my arrival. It was to be sunny and in the 70's while back home it was going to be sunny, hot and in the 90's. What actually happened ... sunny and 70's back home, sunny and hot in Seattle!

My day's were pretty much filled with conference but, I woke up early and took some shots, shot a sunset from the pier of the Seattle Aquarium on Monday night and took a couple of hours from the conference on Tuesday afternoon.

I just took my camera with my trusty 18-70mm f/3-4.5. This was a great lens to walk with. It's fast, sharp (I tried to keep the aperture around f/8.0) and light weight. I walked up toward the Space Needle ... did you know that thing was built in 1962. It's amazing that it's been around that long.

I got some great shots along the way and around the Space Needle. The one on the left was taken when the sun was really high in the ski. You can see it casting an eclipse effect, halo around the capsule.

Just under the Space Needle nested in the landscape I met Earl. Well, I call him Earl because I forgot to ask him his name.

Anyway, I had snapped a quick shot of Earl and thanked him by throwing a buck into the colander he was using to hold his street money. We got to chatting and he asked where I was from and what I was doing in Seattle. I told him I was here for a web design conference expecting the conversation to be over quickly. Not so, oh Stop Bath breath!

Earl proceeded to inform me that he was a Photoshop expert, had been working with Photoshop since its inception and launched into a lesson about the Photoshop interface instructing me on the exciting use of layers and the different blending modes. He was great.

I wandered down 5th Avenue to the retail district catching this shot of a kid passing out flyers in support of the LaRouche Political Action Committee whatever that is. It was just a good photo opp.

It was about here where I turned back toward the waterfront and ended up at the Public Market Center ... that famous farmers market ... where they throw the fish back and forth. A couple of times I thought I saw Bobby Sherman. I needed a Starbucks.

One of the things I worked on today was purposely stay away from 3D Matrix metering and use center-weighted. I found that, in the light of midday sun, I was able to get the exposure I wanted more accurately. I kept the camera in Aperture Priority (A) mode and ISO 200 for the whole walk although I raised the ISO to 400 and popped the on-board flash when I got inside the market.

More images Seattle set on Flickr.

i shoot nikon